Alternatives to Live-Action Fictional Films :: Film, Documentary

Is there an alternative to live carry through fictional enters? And if there is an alternative is there a chance it could be entertaining? Who doesnt enjoy a good fiction scud? In Film An Introduction by William H. Phillips, we learn that the alternative to such films butt joint be both enlightening and entertaining (299). What type of film could be both enlightening and entertaining? Documentaries argon. There is potential in a documentary film, also referred to as non-fictional films, which fictional films cannot grasp. According to knave C. Ellis, a known documentary film critic, documentaries (1) communicate insights, achieve beauty, and twirl understanding. They also (2) improve social, political, or economic conditions (qtd. in Phillips 299).In ship canal documentary films are similar to fictional films. Both types of films have innumerable possibilities of topic choices to choose from and have a crew to influence and keep in line the film so that it can be accepted t he way they want it represented. However, documentary films are created to be works of informative and factual art. fictitious films, although they may stem from the ground of truth, they branch into the realm of unrealistic diversion (316).But why is there a big market for documentaries? The coiffe is simple. Each person alive whether they are young, old, intelligent, undereducated, black, white, Baptist, atheist, everyone has an interest in something and documentaries can inform an audience about that particular interest (316). There are two types of documentaries, the narrative and the non-narrative. The majority of documentary films are made up of non-narrative films, meaning that there isnt an actual story being envisioned in the film rather just a list of randomness that make an argument (301). Narrative documentaries create and develop a story, ordinarily following a person and their ambitions. This type of documentary is more comparable to fictional films versus non- narrative films because the information presented does not have to be sequential as long as it is factual (302,303).Both types of documentaries use artifacts, such as photographs, that pertain to the subject in their film and are spliced from one compile to another in the editing process, to force the point of view that the director wishes to portray onto the viewer (301 & 306). This is the reason that Phillips refers to documentaries as Mediated Reality. A documentary film is biased and cannot be objective. It may be perceive as truth by viewers, but there is a end between the genuine footage that was recorded and the censored scenes that were developed in editing.